MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play

MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow

MARY CONWAY is disappointed by a play that presents Shelley as polite and conventional man who lives a chocolate box, cottagey life

MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction

In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal

MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity

MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards

MARY CONWAY applauds the study of a dysfunctional family set in an Ireland that could be anywhere

MARY CONWAY relishes two matchless performers and a masterclass in tightly focused wordplay