Jimmy watches Countdown and tries to ignore his bills, grief, COPD and frailty. Meanwhile, his carer walks a tightrope between kindness and reality
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An exhibit rather than a play
‘Don’t expect a play, or even to know what it was you saw or why,’ is MARY CONWAY’S uncomfortable verdict
Martin Crimp 'defies expectations but leaves us wondering what exactly stands in their place'
[Carla Chable de la Heronniere]
JOHN FLINT explores the Appleby Blue development, winner of the Stirling prize 2025
GORDON PARSONS enjoys the wealth of wisdom and the clarity of expression from a dialogue between Chomsky and Mujica
GUILLERMO THOMAS enjoys a survey of the current state of the CIA (aka Langley) from an expert and insider of sorts
MARIA DUARTE, FIONA O CONNOR and JOHN GREEN review The Choral, Belen, Dragonfly, and Colossal Wreck
WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
RITA DI SANTO points out the social experience of exploitation and oppression that inform the popular winners at this year’s festival
Not One of These People
Royal Court
NORM-DODGER Martin Crimp is an acquired taste. And – as with dry January or veganism – his ardent fan-base seems to grow by the day.
The Royal Court Theatre – evidently one such fan – is presenting his latest offering Not One of These People for four performances only. Clearly hedging their bets, the theatre management aim to please the faithful, while acknowledging that most theatre goers will stay away.
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