New releases from Public Image Ltd, William Basinski, and John Luther Adams 

GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men

Michael Rosen is in his element with a new show for kids, suggests PAUL DONOVAN

KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it

The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach

STEVE ANDREW welcomes an autobiographical account of activism by a US Marxist journalist that is an inspiring introduction to the struggles of the ’60s, ’70s and ’80s

ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology

JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt

BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place

FIONA O’CONNOR and MARIA DUARTE review Romeria, Iron Maiden: Burning Ambition, Remarkably Bright Creatures, and The Sheep Detectives

LEO BOIX recommends a ravishing, full-bodied drama about the intensely demanding and emotional art of Kabuki theatre

On the day of the election, MARTIN GOLLAN reflects on the perennial relationship between the far-right and the back-hander