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round up
Cinema / 22 January 2026
22 January 2026

MARIA DUARTE and MICHAL BONCZA review The History of Sound, H Is For Hawk, Saipan, and Mercy

choice
Film of the Week / 22 January 2026
22 January 2026

MARIA DUARTE recommends a surreal and brilliant take on corporate lay-offs and their consequences

21st Century Poetry / 21 January 2026
21 January 2026

by Jamie Lynch

waiting
TV Network Monitor / 21 January 2026
21 January 2026

DENNIS BROE unpicks the subterfuge by which the BBC claims to represent working-class prison life in a new series

Hamnet
Opinion / 20 January 2026
20 January 2026

JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint

emmylou
Music review / 20 January 2026
20 January 2026

CONRAD LANDIN thrills to the voice of 79-year-old Emmylou Harris, that is enriched rather than compromised by the gravel of experience

water
Books / 20 January 2026
20 January 2026

RICHARD MURGATROYD appreciates a study that urges us to think about water differently, as a living entity with its own logic and intelligence

boix
Letters from Latin America / 20 January 2026
20 January 2026

The debut novel by Uruguayan Eugenia Ladra, and poetry by Gerardo Diego

GR
Album reviews / 19 January 2026
19 January 2026

New releases from Zulu Guitar Blues, Fela Kuti, and Amadou & Mariam

monk
Jazz preview / 19 January 2026
19 January 2026

CHRIS SEARLE urges you not to miss two powerful performers playing three nights that will celebrate the great pianist/composer Thelonious Monk

gaughan
Album Review / 19 January 2026
19 January 2026

IAN SINCLAIR revels in the reissue of great recordings by one of the most recognisable and radical voices in British music

green philo
Books / 16 January 2026
16 January 2026

BRENT CUTLER welcomes a valuable contribution to discussions around the need to de-carbonise energy production

uzbek
Books / 18 January 2026
18 January 2026

STEVE ANDREW is intrigued by a timely and well-researched book that demonstrates the conflicted history of the central Asian country

everything
Books / 16 January 2026
16 January 2026

JOHN GREEN’s palate is tickled by useful information leavened by amusing and unusual anecdotes, incidental gossip and scare stories

mangione
Book Review / 16 January 2026
16 January 2026

GAVIN O’TOOLE welcomes a book that sets the assassination of Brian Thomson in the context of radical individualism — lost in a vast pick-and-mix of ideologies

frantic
Theatre Review / 16 January 2026
16 January 2026

SIMON PARSONS applauds an original, visual and movement-based take on the birth and death of a relationship

atila
Culture / 16 January 2026
16 January 2026

The bard contemplates X — anti-human vomit soup with dog shit croutons — and the Tory recycling bin that is Reform

here there
Poetry Review / 16 January 2026
16 January 2026

ALAN MORRISON recommends an outstanding and timely anthology of poems that reflect the experience and consequences of African migration

THE MOTHERS OF CULINARY INVENTION: Italian Children help American infantry soldiers during the liberation of Rome, May 5 1944 [Pic: Public Domain]
Opinion / 16 January 2026
16 January 2026

BINOY KAMPMARK examines the food racket as evidenced by the recent promotion of Italian cuisine to the status of ‘intangible national heritage’

round up
Cinema / 15 January 2026
15 January 2026

FIONA O’CONNOR and MARIA DUARTE review State of Statelessness, Rental Family, 28 Years Later: The Bone Temple, and The Rip

hind rajab
Film of the week / 15 January 2026
15 January 2026

MARIA DUARTE recommends that this dramatic reconstruction of one instance of the Israeli killings in Gaza be seen as widely as possible

sons
Opinion / 14 January 2026
14 January 2026

WILL SCHULER praises a stripped-back ‘anti-naturalist’ production of Arthur Miller’s drama about a corrupted family business

21st Century Poetry / 14 January 2026
14 January 2026

by Matt Gilbert

spa
Exhibition review / 13 January 2026
13 January 2026

MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists