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Mary Conway
years
Theatre review / 7 February 2025
7 February 2025
MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers
CP meet
Best of 2024 / 18 December 2024
18 December 2024
A nervous year, showing that the theatre, like the world, stands on a precipice and seems uncertain where to jump
foxes
Theatre Review / 12 December 2024
12 December 2024
MARY CONWAY applauds a worthy revival of the US 1939 classic drama that studies the dehumanising consequences of affluence
anger
Theatre review / 4 October 2024
4 October 2024
MARY CONWAY relishes the revival of two classics for the naked expression of truthful thoughts and class anger
alma mater
Theatre review / 18 July 2024
18 July 2024
MARY CONWAY evaluates a polemical play whose actors, rather than the writer, introduce the humanity and the light and shade
hills
Theatre Review / 9 February 2024
9 February 2024
The relationship between an over-ambitious mother and her damaged daughters makes for a muddled evening of drama, finds MARY CONWAY
Mansfield
Theatre Review / 5 February 2024
5 February 2024
In communities where exploitative warehouses have replaced coal mines, Beth Steel has fashioned an uproarious state-of-the-nation comedy, says MARY CONWAY
19 gardens
Theatre Review / 13 November 2023
13 November 2023
MARY CONWAY is in awe of an immaculately orchestrated analysis of inequality, rendered with precise and simple clarity
AS
Theatre Review / 25 September 2023
25 September 2023
A kaleidoscope of human emotions offered by Andrew Scott’s virtuoso performance as multiple characters gets the thumbs up from MARY CONWAY
effect
Theatre Review / 11 August 2023
11 August 2023
MARY CONWAY points out that superb acting and production can't remedy a contrived idea
grenfell
Theatre Review / 4 August 2023
4 August 2023
MARY CONWAY salutes an outstanding play with a firm moral compass that transforms the audience
theatre review
Theatre Review / 29 May 2023
29 May 2023
MARY CONWAY feels that well-meaning audiences deserve more than exploitation