MARY CONWAY is gripped by the powerful emotional journeys portrayed by the parents of the perpetrator and victims of a mass shooting

MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival

Although this account of the Beatles’ manager is exquisitely drawn, MARY CONWAY wishes it embraced the bigger picture of the band’s explosive impact

MARY CONWAY is compelled by the production but repelled by the sleaze in a revival of Christopher Hampton’s play

MARY CONWAY is disappointed by a three-hander that broaches big themes, but doesn’t transcend dry academia 

MARY CONWAY is moved by a play of depth and originality that brings true insight into Van Gogh’s journey

MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht

MARY CONWAY applauds an exploration, through five short plays, that demonstrates the vital role of drama in furthering collective understanding

MARY CONWAY relishes the period detail but misses the drama in this unsatisfactory dramatisation of the subjugated life of George Eliot

MARY CONWAY welcomes a warm, if microscopic study of an Indian and a Pakistani, both culturally adrift in Britain

MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class

MARY CONWAY revels in the macabre waiting game of Strindberg’s forensic dissection of a loveless ruling-class marriage