MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender

MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion

MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection

MARY CONWAY is exhilarated by an outstanding production of Brecht’s study of the painful sense that working-class people make of war

MARY CONWAY is gripped by the powerful emotional journeys portrayed by the parents of the perpetrator and victims of a mass shooting

MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival

Although this account of the Beatles’ manager is exquisitely drawn, MARY CONWAY wishes it embraced the bigger picture of the band’s explosive impact

MARY CONWAY is compelled by the production but repelled by the sleaze in a revival of Christopher Hampton’s play

MARY CONWAY is disappointed by a three-hander that broaches big themes, but doesn’t transcend dry academia 

MARY CONWAY is moved by a play of depth and originality that brings true insight into Van Gogh’s journey

MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht

MARY CONWAY applauds an exploration, through five short plays, that demonstrates the vital role of drama in furthering collective understanding