MARY CONWAY recommends a spot of exquisitely staged, if socially unchallenging, escapism written 250 years ago

MARY CONWAY takes pride in the sheer variety of theatre, from updated revivals to new plays, on offer in London

MARY CONWAY delights in a rarely performed comedy that recalls a Britain we remember in our bones

MARY CONWAY is riveted by a superbly crafted glimpse into the soul of a cast-off US star

Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY

MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters

MARY CONWAY recommends the play for the truthfulness of the writing, the quality of the production and the vigorous characterisation

MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse

MARY CONWAY is disappointed by an incoherent show that fails to question stereotypical assumptions about the Soviet Union

MARY CONWAY applauds a new play that foresees the unscrupulous tactics of a future far-right minority government

MARY CONWAY is frustrated by the stylistic muddle that arises when you apply a pub theatre sensibility to a towering Greek tragedy

MARY CONWAY recommends an early Shakespearean tragedy that feels so contemporary that it mirrors our daily news

Acclaimed as a masterpiece when it premiered, this study of story-telling in an Irish pub more than lives up to expectations, says MARY CONWAY

MARY CONWAY is frustrated by a new play that loses its drama amid the moral dilemma of re-settling children in the aftermath of WWII

MARY CONWAY relishes the spectacle of a domestic implosion in a setting strangely divorced from any social, political or cultural context

Memorable, deeply penetrating and exquisitely performed, writes MARY CONWAY

MARY CONWAY admires a study of environmental idealism that aspires to Chekhov but is arrested in a deluge of middle-class opinion

MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play

MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy

MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play

MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow

MARY CONWAY is disappointed by a play that presents Shelley as polite and conventional man who lives a chocolate box, cottagey life

MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction

In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal