MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
Shanghai Dolls
Kiln, Kilburn
THERE should be so much to recommend in this new two-hander which premieres at the Kiln.
For a start the context is rarely explored in this country and introduces ideas that are both weighty and engrossing. Secondly, the production quality is both confident and slick. And lastly, the two female performers are a joy to watch.
Amy Ng’s play, however, is overloaded and often impenetrable for this audience.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
BEN CHACKO welcomes a masterful analysis that puts class struggle back at the heart of our understanding of China’s revolution
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth


