SUE TURNER is fascinated by a book that researches who the largely immigrant workforce were that built the Empire State
Shanghai Dolls
Kiln, Kilburn
THERE should be so much to recommend in this new two-hander which premieres at the Kiln.
For a start the context is rarely explored in this country and introduces ideas that are both weighty and engrossing. Secondly, the production quality is both confident and slick. And lastly, the two female performers are a joy to watch.
Amy Ng’s play, however, is overloaded and often impenetrable for this audience.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards



