ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Shanghai Dolls
Kiln, Kilburn
THERE should be so much to recommend in this new two-hander which premieres at the Kiln.
For a start the context is rarely explored in this country and introduces ideas that are both weighty and engrossing. Secondly, the production quality is both confident and slick. And lastly, the two female performers are a joy to watch.
Amy Ng’s play, however, is overloaded and often impenetrable for this audience.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play



