MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
Shanghai Dolls
Kiln, Kilburn
THERE should be so much to recommend in this new two-hander which premieres at the Kiln.
For a start the context is rarely explored in this country and introduces ideas that are both weighty and engrossing. Secondly, the production quality is both confident and slick. And lastly, the two female performers are a joy to watch.
Amy Ng’s play, however, is overloaded and often impenetrable for this audience.
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
SIMON PARSONS applauds an exceptional performance of Wesker’s little-known play, by the same actor for whom it was written 45 years ago
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class


