ANDY HEDGECOCK sees his scepticism lessened by a story is more complex and far-reaching than is initially apparent

The Darkest Part of the Night
The Kiln
ANOTHER world premiere at the Kiln before a diverse and powerfully engaged audience confirms this theatre’s serious bid in the cultural leadership stakes. Storytelling is the name of their game, and though The Darkest Part of the Night feels less like a constructed narrative and more like a slice of life, its authenticity is its outstanding feature.
In fact, so convincing is the detail that you imagine the writer, Zodwa Nyoni, must be recalling her own personal past.

MARY CONWAY admires a study of environmental idealism that aspires to Chekhov but is arrested in a deluge of middle-class opinion

MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play

MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy

MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play