MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Slice of life
MARY CONWAY recommends a play that has autism, race and dysfunctional public agencies at its centre
IMMACULATE: Lee Phillips as Dwight and Nadia Williams Shirley/Josephine
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
The Darkest Part of the Night
The Kiln
ANOTHER world premiere at the Kiln before a diverse and powerfully engaged audience confirms this theatre’s serious bid in the cultural leadership stakes. Storytelling is the name of their game, and though The Darkest Part of the Night feels less like a constructed narrative and more like a slice of life, its authenticity is its outstanding feature.
In fact, so convincing is the detail that you imagine the writer, Zodwa Nyoni, must be recalling her own personal past.
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