ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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The drama of a woman’s life
MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers
RAVISSANT! 12. Romola Garai, Gina McKee, Deborah Findlay, Harmony Rose-Bremner and Anjli Mohindra in The Years
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
The Years
Harold Pinter Theatre
THE YEARS opens in the West End following an almost universally rapturous reception at the Almeida last August. Now with the same cast, same director and same inspirational rendition, it has to be a winner.
The play – based on the literary masterpiece by Nobel Prize-winning Annie Ernaux – follows the life of one Annie, born in 1940 in France.
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MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
A nervous year, showing that the theatre, like the world, stands on a precipice and seems uncertain where to jump
MARY CONWAY applauds a worthy revival of the US 1939 classic drama that studies the dehumanising consequences of affluence
MARY CONWAY relishes the revival of two classics for the naked expression of truthful thoughts and class anger
