New releases from The Orb, Meredith Monk, and Marconi Union
The drama of a woman’s life
MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers
RAVISSANT! 12. Romola Garai, Gina McKee, Deborah Findlay, Harmony Rose-Bremner and Anjli Mohindra in The Years
[Helen Murray]
RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
The Years
Harold Pinter Theatre
THE YEARS opens in the West End following an almost universally rapturous reception at the Almeida last August. Now with the same cast, same director and same inspirational rendition, it has to be a winner.
The play – based on the literary masterpiece by Nobel Prize-winning Annie Ernaux – follows the life of one Annie, born in 1940 in France.
Similar stories
MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience