SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
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MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
MATTHEW HAWKINS pays tribute to the performance artist and costumier, Leigh Bowery
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
The Years
Harold Pinter Theatre
THE YEARS opens in the West End following an almost universally rapturous reception at the Almeida last August. Now with the same cast, same director and same inspirational rendition, it has to be a winner.
The play – based on the literary masterpiece by Nobel Prize-winning Annie Ernaux – follows the life of one Annie, born in 1940 in France.
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