ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Ineffective
MARY CONWAY points out that superb acting and production can't remedy a contrived idea
Paapa Essiedu (Tristan) and Taylor Russell (Connie) in The Effect
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
The Effect
National Theatre - Lyttleton
THE EFFECT by Lucy Prebble is being revived at the Lyttleton Theatre. First shown at the smaller Cottesloe in 2012, it commanded attention at the time for its star casting, and also as a test piece for the playwright after her acclaimed play Enron.
The Effect sets out to explore what, in philosophical terms, is really an old chestnut, namely: whether our brains are just mechanical devices determining our behaviour or whether we do indeed possess an independent, causal self.
Tristan and Connie are participating in a mind-changing drugs trial run by a posh psychiatric clinic that pays guinea pigs well. The question thrown up by the trial is: what of this couple’s thinking is simply drug generated and what “real”? When they seem to fall in love, what does this mean?
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