SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Best of 2024: Theatre with Mary Conway
A nervous year, showing that the theatre, like the world, stands on a precipice and seems uncertain where to jump
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THE year 2024 has seen the march of the mighty throughout the world. Right-wing demagogues, warmongers, business tycoons, financial dealers, investors in cryptocurrency, company directors, the rich and famous have not only filled our news but dramatically ridden roughshod over the more real and gritty lives that most of us live… which is why we need the arts to free us from the prevailing dogma and give us voice.
And, while the West End often reflects – rather than challenges – the status quo with its commercially driven subject matter and celebrity casting, it does throw up some gems, while the smaller fringe theatres burst with energy.
More from this author
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MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers
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MARY CONWAY applauds a worthy revival of the US 1939 classic drama that studies the dehumanising consequences of affluence
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MARY CONWAY relishes the revival of two classics for the naked expression of truthful thoughts and class anger
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MARY CONWAY evaluates a polemical play whose actors, rather than the writer, introduce the humanity and the light and shade
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Two new releases from Burkina Faso and Niger, one from French-based Afro Latin The Bongo Hop, and rare Mexican bootlegs
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TONY MILLS, artistic director of Dancebase, reveals how he assembles a festival programme in the teeth of tough economic realities
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ANDY HEDGECOCK celebrates the way that US writers have always used crime and sci-fi to explore and express dissident ideas
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PAUL FOLEY speaks with JADE LEWIS, the director of SWEAT at Royal Exchange Manchester