ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
THE year 2024 has seen the march of the mighty throughout the world. Right-wing demagogues, warmongers, business tycoons, financial dealers, investors in cryptocurrency, company directors, the rich and famous have not only filled our news but dramatically ridden roughshod over the more real and gritty lives that most of us live… which is why we need the arts to free us from the prevailing dogma and give us voice.
And, while the West End often reflects – rather than challenges – the status quo with its commercially driven subject matter and celebrity casting, it does throw up some gems, while the smaller fringe theatres burst with energy.
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play



