Skip to main content
Work with the NEU
Best of 2024: Theatre with Mary Conway
A nervous year, showing that the theatre, like the world, stands on a precipice and seems uncertain where to jump
MASSIVELY RELEVANT: The company in Cable Street [Jane Hobson]

THE year 2024 has seen the march of the mighty throughout the world. Right-wing demagogues, warmongers, business tycoons, financial dealers, investors in cryptocurrency, company directors, the rich and famous have not only filled our news but dramatically ridden roughshod over the more real and gritty lives that most of us live… which is why we need the arts to free us from the prevailing dogma and  give us voice.

And, while the West End often reflects – rather than challenges – the status quo with its commercially driven subject matter and celebrity casting, it does throw up some gems, while the smaller fringe theatres burst with energy.

 

AUTHENTIC: (L to R) Sinead Matthews, Lisa McGrillis and Lorraine Ashbourne. Photo: Manuel Harlan
The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
MILES
Theatre Review / 10 February 2026
10 February 2026

MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician

indian ink
Theatre Review / 19 December 2025
19 December 2025

Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY

stars
Theatre review / 14 July 2025
14 July 2025

MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play

moon
Theatre review / 27 June 2025
27 June 2025

MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play