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Best of 2024: Theatre with Mary Conway
A nervous year, showing that the theatre, like the world, stands on a precipice and seems uncertain where to jump
MASSIVELY RELEVANT: The company in Cable Street [Jane Hobson]

THE year 2024 has seen the march of the mighty throughout the world. Right-wing demagogues, warmongers, business tycoons, financial dealers, investors in cryptocurrency, company directors, the rich and famous have not only filled our news but dramatically ridden roughshod over the more real and gritty lives that most of us live… which is why we need the arts to free us from the prevailing dogma and  give us voice.

And, while the West End often reflects – rather than challenges – the status quo with its commercially driven subject matter and celebrity casting, it does throw up some gems, while the smaller fringe theatres burst with energy.

 

AUTHENTIC: (L to R) Sinead Matthews, Lisa McGrillis and Lorraine Ashbourne. Photo: Manuel Harlan
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