ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Global Routes with Tony Burke: December 2, 2024
Two new releases from Burkina Faso and Niger, one from French-based Afro Latin The Bongo Hop, and rare Mexican bootlegs
Aboubakar Traore
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
THE second album from Burkina Faso born Aboubakar Traore and his band Balima, Sababu (Zephyrus Records), continues to expand the boundaries of West African music, marrying Traore’s Burkinabe heritage with a blend of pan-African rhythms, soulful jazz and a dash of reggae.
Traore learned the intricacies of the kamele ngoni (the young man’s harp) and here he takes a political stance on the inequities faced in Africa, particularly its exploitation by the global north. Traore stresses the importance for African countries to regain their autonomy and power to prevent young people undertaking dangerous migration routes to the west.
The album contains a celebration of pride in Africa with music that transcends borders while remaining deeply rooted in Burkina Faso.
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