MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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A necessary meditation on the corrosiveness of fascism
MARY CONWAY applauds the timely restaging of a play premiered to world-wide acclaim in 1981
REVELATORY POWER: (L to R) Elliot Levey, David Tennant and Sharon Small
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STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
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Harold Pinter Theatre
IT’S Germany 1933; the Nazis have exploded into power; Jewish religious practices are outlawed and public conversation is peppered with anti-Jewish rhetoric.
Euthanasia for the infirm is openly discussed; Hitler’s cabinet have suspended the right to protest, and the world is about to be rocked to its foundations by one fanatical man and one uncompromising idea. What would you do if you were there?
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MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
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MARY CONWAY applauds the study of a dysfunctional family set in an Ireland that could be anywhere
MARY CONWAY relishes two matchless performers and a masterclass in tightly focused wordplay
