GUILLERMO THOMAS recommends an important, if dispiriting book about the neo-colonial culture of Uganda under Yoweri Museveni
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A necessary meditation on the corrosiveness of fascism
MARY CONWAY applauds the timely restaging of a play premiered to world-wide acclaim in 1981
REVELATORY POWER: (L to R) Elliot Levey, David Tennant and Sharon Small
[Johan Persson]
SUSAN DARLINGTON applauds the sensuality and strong characterisation of an unconventional ballet about an unconventional woman
BRENT CUTLER admires the plotting but takes issue with the politics of a new Scottish crime thriller
Tyrannosaurs in Thailand, colonialism as videogame, and a feminist gem from 1936
PAUL FOLEY steps gingerly through an exhibition that purports to show east and south-east Asian culture, and questions its intentions
New releases from Alex Wilson and Omar Rios Melendez, Hello Cosmos, and Harry Christelis
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Harold Pinter Theatre
IT’S Germany 1933; the Nazis have exploded into power; Jewish religious practices are outlawed and public conversation is peppered with anti-Jewish rhetoric.
Euthanasia for the infirm is openly discussed; Hitler’s cabinet have suspended the right to protest, and the world is about to be rocked to its foundations by one fanatical man and one uncompromising idea. What would you do if you were there?
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MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire