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Mayer Wakefield
alterations
Theatre Review / 3 March 2025
3 March 2025
MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant
Reykjavik
Interview / 5 November 2024
5 November 2024
MAYER WAKEFIELD speaks to playwright Richard Bean about his new play Reykjavik that depicts the exploitation of the Hull-based “far-fleet” trawlermen
theatre review
Theatre Review / 5 May 2023
5 May 2023
MAYER WAKEFIELD finds himself caught in the crossfire during a riveting piece of activist theatre
theatre review
Theatre Review / 4 April 2023
4 April 2023
MAYER WAKEFIELD falls in love with a deft and hilarious portrait of Cairo after the Arab Spring
Theatre review
Theatre Review / 8 March 2023
8 March 2023
MAYER WAKEFIELD applauds the revival of an eerily prophetic drama
Wu
Theatre Review / 21 February 2023
21 February 2023
MAYER WAKEFIELD witnesses a perceptive take on how class, wealth and power manifest themselves in contemporary relationships
drill
Theatre Review / 14 November 2022
14 November 2022
An insightful exploration of an unexplored world of rap and its many contradictions impresses MAYER WAKEFIELD
4
Theatre Review / 11 October 2022
11 October 2022
MAYER WAKEFIELD applauds a timely revival of Pearl Cleage’s 1995 drama
two
Theatre Review / 17 July 2022
17 July 2022
MAYER WAKEFIELD recommends a powerful drama from Clean Break who specialise in work concerning women’s experience of the criminal justice system
cast
Theatre Review / 20 June 2022
20 June 2022
MAYER WAKEFIELD recommends a 1970s US theatre classic that has lost none of its relevance
two
Theatre Review / 26 May 2022
26 May 2022
The play’s quaintness makes it an odd choice for innovative theatre, writes MAYER WAKEFIELD
middle
Theatre Review / 17 May 2022
17 May 2022
A classic domestic drama that encompasses the great British elephant in the room - class, writes MAYER WAKEFIELD
duo
Theatre Review / 9 March 2022
9 March 2022
MAYER WAKEFIELD recommends a show which finds the pulse of modern Britain in alarming fashion
unfinished
Theatre Review / 20 February 2022
20 February 2022
gandhi
Theatre Review / 14 February 2022
14 February 2022
MAYER WAKEFIELD recommends a play which asks who is allowed to be radical and what does radicalisation really mean in a world overflowing with injustice?
revo
Theatre Review / 3 February 2022
3 February 2022
MAYER WAKEFIELD recommends a captivating 45 minutes which deliver some hammer blows when much of mainstream theatre continues to turn the other cheek
F+L
Culture / 31 January 2022
31 January 2022
M4M
Theatre Review / 15 December 2021
15 December 2021
An ideal balance between comedy and gravity in riveting Shakespeare reinvention, suggests MAYER WAKEFIELD
shout
Theatre Review / 24 October 2021
24 October 2021
Never too far from a farce this ideological enmity gets a serious meaning on the WWI battlefields of Flanders, writes MAYER WAKEFIELD
J'Ouvert
THEATRE / 27 June 2021
27 June 2021
The Notting Hill Carnival's been cancelled but the exhilarating J'Ouvert is a pretty good alternative
Scrounger Theatre
Online Theatre / 3 August 2020
3 August 2020
Stereotypes sharply challenged in dramatisation of fight against injustice by activist with a disability
PUT UPON: Alix Dunmore (Jane) Photo Carla Evans
ONLINE THEATRE / 14 June 2020
14 June 2020
Predictable drama with feminist intimations gets classy revival
FILM ONLINE / 2 June 2020
2 June 2020
Engaging South-Asian response to the pandemic
vbv
THEATRE ONLINE / 15 May 2020
15 May 2020
Moving drama on untimely death of WWI poet Charles Hamilton Sorley
MAKING WAVES: Rona Morison as Cora Preece Pic: Ellie Kurttz
Theatre Review / 9 February 2020
9 February 2020
MAYER WAKEFIELD sees a timely reminder of the threat posed by an unfettered surveillance state
Master Harold
Year round-up / 18 December 2019
18 December 2019
PIC CAP ON NEUTRAL GROUND: Elliot Levey and Amber James in S
Theatre / 17 December 2019
17 December 2019
Mike Bartlett's Christmas cracker an antidote for post-election blues
PIC CAP: Monochrome prisoner: Peter Hamilton Dyer in #WeAreA
Theatre / 21 November 2019
21 November 2019
A play on the arbitrary detention of a journalist resonates beyond its Turkish context, says MAYER WAKEFIELD
PIC CAP 'Shit parenting': Andrea Hall (Grace) with Ivan Oyik
Theatre Review / 5 November 2019
5 November 2019
Timely indictment of how young offenders are failed by prison system
PIC CAP Excelling: The cast of Little Baby Jesus Pic: Ali Wr
Theatre Review / 24 October 2019
24 October 2019
Early work by Arinze Kene disappoints
PIC CAP Existential anxieties: Leda Douglas as Astrid in Nuc
Interview / 8 October 2019
8 October 2019
Can we afford to pretend that nuclear weapons don't exist? Gameshow director MATTHEW EVANS talks to Mayer Wakefield about the issues their new production Nuclear Future raises
David Edgar
Interview / 4 October 2019
4 October 2019
Radical playwright DAVID EDGAR talks to Mayer Wakefield about the personal and political questions posed in his one-man show Trying It On in which, at the age of 70, he confronts his 20-year-old self
PIC CAP Astonishing: Hammed Animashaun and Lucian Msamati Pi
Theatre Review / 3 October 2019
3 October 2019
MAYER WAKEFIELD sees a brilliant production of an autobiographical play set in the early years of apartheid
Alexander Zeldin
Interview / 5 September 2019
5 September 2019
ALEXANDER ZELDIN tells Mayer Wakefield what he hopes to achieve with his new play about the impact of austerity on the most vulnerable
PIC CAP: In denial: Franz (Edward Hogg) and Bo (Steven Macki
Theatre Review / 23 August 2019
23 August 2019
MAYER WAKEFIELD recommends a hard-hitting drama of a family in denial about past collusion in the ‘triangular trade’
Stop the War
Features / 1 July 2019
1 July 2019
Chuka Umunna’s former CLP has taken a decisive step in favour of peace by affiliating to the Stop the War Coalition. Why not follow Streatham’s example, suggests MAYER WAKEFIELD