WILL STONE fact-checks the colourful life of Ozzy Osbourne
Counter-terror alert
MAYER WAKEFIELD sees a timely reminder of the threat posed by an unfettered surveillance state
MAKING WAVES: Rona Morison as Cora Preece
[Ellie Kurttz] 
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
The Haystack
Hampstead Theatre, London
AL BLYTH’S debut play may have hit the stage over six years on from the release of Edward Snowden’s National Security Agency leaks that inspired it but it still manages to shock.
In it, Neil (Oliver Johnstone) and Zef (Enyi Okoronkwo) are two graduate whizz-kids whose technological prowess sees them rapidly progressing up the ladder at GCHQ’s Cheltenham spy base by impressing their officious boss Hannah (Sarah Woodward).
Dressed in hoodies and tracksuit bottoms, they find themselves “getting the keys to the Ferrari” as they are recruited onto a counter-terror case. They casually intrude upon conversations, trace medical records and relationship histories with chilling ease while munching Maltesers.
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