MAYER WAKEFIELD laments the lack of audience interaction and social diversity in a musical drama set on London’s Underground
Mayer Wakefield


MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists

MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant

MAYER WAKEFIELD speaks to playwright Richard Bean about his new play Reykjavik that depicts the exploitation of the Hull-based “far-fleet” trawlermen

MAYER WAKEFIELD finds himself caught in the crossfire during a riveting piece of activist theatre

MAYER WAKEFIELD falls in love with a deft and hilarious portrait of Cairo after the Arab Spring