MAYER WAKEFIELD recommends a timely and brilliantly performed antidote to racism in times of Jenrick-inflected jingoism

MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations

MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth

MAYER WAKEFIELD recommends a musical ‘love letter’ to black power activists of the 1970s

MAYER WAKEFIELD speaks to Urielle Klein-Mekongo about activism, musical inspiration and the black British experience

MAYER WAKEFIELD is swept up by the tale of the south London venue where music forged alliances across race, class and identity

MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge

MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women

MAYER WAKEFIELD laments the lack of audience interaction and social diversity in a musical drama set on London’s Underground