DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
Latest editorial
‘Who are the real criminals?’
An insightful exploration of an unexplored world of rap and its many contradictions impresses MAYER WAKEFIELD
'When will it end?'
[HighRise Entertainment UK Drill Project]
JAN WOOLF is bowled over by a major retrospective for the YBA artist
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
KATHRYN JOHNSON recommends the work of Norman Kaplan that was a tool in the struggle against apartheid in South Africa
GAVIN O’TOOLE welcomes a bold feminist subversion of classic folktales that are ubiquitous in the Irish imagination
A novel by Mexican Juan Pablo Villalobos, poetry by Mexican Ingrid Bringas, and a biography by Argentinian Mercedes Halfon
UK Drill Project
Barbican Pit
FROM the furore surrounding the emergence of NWA (Niggaz Wit Attitudes) and gangsta rap in the mid ’90s to the effective banning of grime nights under Met Police 696 risk assessment forms here in Britain, the repressive criminalisation of rap music is nothing new.
But perhaps it has never been as extreme as the ongoing clampdown on drill music, which is explored with high octane, comic-book energy in HighRise Entertainment’s latest production.
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