DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
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Scrounger, Finborough Theatre
Stereotypes sharply challenged in dramatisation of fight against injustice by activist with a disability
DYNAMIC DUO: Athena Stevens (left) and Leigh Quinn
[Lily McLeish]
JAN WOOLF is bowled over by a major retrospective for the YBA artist
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
KATHRYN JOHNSON recommends the work of Norman Kaplan that was a tool in the struggle against apartheid in South Africa
GAVIN O’TOOLE welcomes a bold feminist subversion of classic folktales that are ubiquitous in the Irish imagination
A novel by Mexican Juan Pablo Villalobos, poetry by Mexican Ingrid Bringas, and a biography by Argentinian Mercedes Halfon
THE #FINBOROUGHFORFREE initiative continues apace with a show from one of the west London’s theatre’s playwrights-in-residence.
Inspired by a traumatising ordeal in which she was removed from a flight and had her wheelchair damaged beyond repair, Scrounger tells the full story of Athena Stevens’s fight for justice.
Adopting the character of Scrounger, Stevens bounces off her multi-roleing sidekick Leigh Quinn — PA as she is referred to in the cast list.
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