Skip to main content
NEU job vacancy
No woman no cry
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Lizzie Watts and Andre Squire in Jane Upton’s (the) Woman [Manuel Harlan]

(the) Woman
The North Wall Arts Centre, Oxford

JANE UPTON’s unflinching diatribe against motherhood largely takes the form of a series of duologues or hard hitting, humorous sketches about a female playwright facing the physical, emotional and psychological challenges of coping with a baby.

From the sexual strains on her marriage and exhaustion to restrictive social perceptions of motherhood and the impact on her career, (not to mention the physical changes brought on by childbirth), the 100-minute play takes a broad sweep at the often overlooked, lifechanging event of raising a child.

Lizzy Watts plays the sharply spoken, often crude mother with more than her share of attitude, but this slightly unsympathetic portrayal fits the character’s own sense of self-loathing brought on by a minefield of contending emotions and degraded self-image.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
amazon
Theatre review / 1 October 2025
1 October 2025

SIMON PARSONS applauds an impassioned demonstration of the fundamental role of women in the history and protection of the forest ecosystem

cry
Theatre review / 1 August 2025
1 August 2025

SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong

IMPASSIONED: Phoebe Thomas and Matt Whitchurch / Pic: Ellie Kurttz
Theatre review / 25 May 2025
25 May 2025

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

Terrors
Theatre review / 16 May 2025
16 May 2025

SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals

Similar stories
cry
Theatre review / 1 August 2025
1 August 2025

SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong

CLASS AND SEXUALITY: Sesley Hope and Synnove Karlsen in Laura Lomas’s The House Party / Pic: Ikin Yum
Theatre Review / 24 April 2025
24 April 2025

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic

IT'S BEHIND YOU: The cast of A Good House, Amy Jeptha's Sout
Theatre review / 18 February 2025
18 February 2025
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
STYLISH: Ramesh Meyyappan in Last Rites
Theatre Review / 6 February 2025
6 February 2025
SIMON PARSONS applauds an expressive and delicate drama that depicts a deaf son’s Hindu funeral ceremony for his father