ALEX HALL recommends an exhaustive investigation of the means by which the Starmer faction assassinated the left

(the) Woman
The North Wall Arts Centre, Oxford
JANE UPTON’s unflinching diatribe against motherhood largely takes the form of a series of duologues or hard hitting, humorous sketches about a female playwright facing the physical, emotional and psychological challenges of coping with a baby.
From the sexual strains on her marriage and exhaustion to restrictive social perceptions of motherhood and the impact on her career, (not to mention the physical changes brought on by childbirth), the 100-minute play takes a broad sweep at the often overlooked, lifechanging event of raising a child.
Lizzy Watts plays the sharply spoken, often crude mother with more than her share of attitude, but this slightly unsympathetic portrayal fits the character’s own sense of self-loathing brought on by a minefield of contending emotions and degraded self-image.

SIMON PARSONS applauds an impassioned demonstration of the fundamental role of women in the history and protection of the forest ecosystem

SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals