The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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Toffs at each other’s throats
Never too far from a farce this ideological enmity gets a serious meaning on the WWI battlefields of Flanders, writes MAYER WAKEFIELD
shout
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
Into Battle
Greenwich Theatre
HUGH SALMON’S debut is a play of two distinct halves welded together by the extraordinary real-life experiences of its characters which far surpasses its billing as “the true story of a bitter feud at Oxford University.”
The first half is fundamentally concerned with the battle of ideas taking place in the upper echelons of British society at the beginning of the 20th century. The battle is causing ruptures in Balliol College where Etonian toffs are running riot while in the background the House of Lords have just voted to block Asquith’s “People’s Budget.”
It’s difficult to ignore the ironic relevance over a century on.
The often drunk and always irksome Billy Grenfell (Nikolas Salmon) trashes the halls while his virtuous “chief opponent” Keith Rae (Joe Gill) is establishing a Boys’ Club to bridge the social divide between the college and the slums of Oxford.
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