ALAN McGUIRE welcomes a biography of the French semiologist and philosopher

OF SMALL comfort to theatre’s enduring existential crises during this unprecedented period is the ability to reach wider audiences online.
For a tiny hidden gem of a pub theatre such as the Finborough in West London, it is perhaps something they could look to utilise to take their productions beyond the 50, often sold-out, seats for their productions.
The story of first-world-war poet Charles Hamilton Sorley, the subject of It Is Easy to Be Dead, is certainly one a wider audience deserves to see.

MAYER WAKEFIELD recommends a musical ‘love letter’ to black power activists of the 1970s

MAYER WAKEFIELD speaks to Urielle Klein-Mekongo about activism, musical inspiration and the black British experience

MAYER WAKEFIELD is swept up by the tale of the south London venue where music forged alliances across race, class and identity

MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge