ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Edge of seat multi-generational power struggle
MAYER WAKEFIELD recommends a powerful drama from Clean Break who specialise in work concerning women’s experience of the criminal justice system
SUPERB CHARACTERISATIONS: Ashna Rabheru (Leila) and Avita Jay (Aleena)
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
Favour
Holloway Theatre, Bush Theatre
CELEBRATING its 50th year, the Bush Theatre is excelling in producing quality dramas reflecting working-class life in the capital.
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MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant
MAYER WAKEFIELD speaks to playwright Richard Bean about his new play Reykjavik that depicts the exploitation of the Hull-based “far-fleet” trawlermen
MAYER WAKEFIELD finds himself caught in the crossfire during a riveting piece of activist theatre
