The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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Film round-up: March 6, 2025
The Star's critic MARIA DUARTE Reviews of Twiggy, Mickey 17, Day of the Fight, and Marching Powder
round up
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
Twiggy (12A)
Directed by Sadie Frost
★★★★
LESLEY HORNBY, a working-class girl from Neasden, was just 16 when she was discovered in 1966, taking the modelling world by storm with her unique androgynous look, and becoming the face of London and the swinging ’60s.
Better known as Twiggy, she was initially told she was too short and too thin to ever be a model, plus she had no bust. She also spoke with a Cockney accent which was unheard of for a model at that time.
This fascinating documentary, directed by Sadie Frost, chronicles the meteoric rise of Britain’s first supermodel and reveals the woman behind the icon as Twiggy tells her story first hand for the first time. It is riveting viewing.
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