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RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
The Desi Lockdown, Rifco Theatre
Engaging South-Asian response to the pandemic
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
FOR reasons good, tragic or indifferent, the coronavirus lockdown will be a period not many people will forget.
As a future aide memoire, touring company Rifco Theatre, usually based at Watford’s Palace Theatre, have commissioned a quintet of videos to document the diverse experiences of British South-Asian artists during these most unusual of months.
Harry Syed’s film is arguably the most cinematic. Clocking in at just over 80 seconds, Thanks Mum is a witty rumination on the relationship between growing up and food.
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