MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists
IN PRESENT-DAY Budapest, Krisztina hunts dying people for their songs in The Teardrop Method by Simon Avery (TTA Press, £8). Her first album was released to some acclaim a few years earlier but then she found her soulmate and contentment quietened her muse.
It's only when her lover dies in an accident that this strange gift — or curse — of being able to hear and claim the songs of the doomed arose to replace her talent.
But what if Krisztina isn't the only one? And what if someone else wants her song?
Looking for moral co-ordinates after a tough year for rational political thinking and shared human morality
Generous helpings of Hawaiian pidgin, rather good jokes, and dodging the impostors
A novel by Argentinian Jorge Consiglio, a personal dictionary by Uruguayan Ida Vitale, and poetry by Mexican Homero Aridjis



