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Daughterhood, Theatre Royal Stratford East
Real people living real lives the focus as two women cope with the ties that bind
From the grassroots: Charlotte Bate and Charlotte O’Leary
[Rebecca Need-Menear]
RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
TONY BURKE speaks to Gambian kora player SUNTOU SUSSO
MARIA DUARTE recommends a British boxing biopic about the stormy relationship between Nazeem Hamed and his trainer Brendan Ingle
ROUNDABOUT, the brainchild of highly admired theatre company Paines Plough, is not only a touring company but a portable theatre-in-the-round which can be erected in the remotest of places.
It is currently in situ right under the walls of the Theatre Royal Stratford East and Daughterhood is just one piece in its repertoire.
At first “Sisterhood” would seem a better title, for it’s about the relationship between two sisters. But then we see how the pair are forever locked into the roles created for them by their parents and perceptions change.
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Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MARY CONWAY relishes two matchless performers and a masterclass in tightly focused wordplay
GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet
PAUL DONOVAN applauds an adaptation that draws out the contemporary relevance of George Orwell’s satire