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Paul Foley
dragon
BenchMarx / 17 June 2025
17 June 2025

PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging

Rose Galbraith and the ensemble of Spend Spend Spend
Theatre review / 29 November 2024
29 November 2024
PAUL FOLEY applauds a faultless musical that tells the tragic real-life story of working-class winners of the football pools
Concert review / 30 October 2023
30 October 2023
PAUL FOLEY is blown away by a Brazilian band at the top of their game
(L to R) A banner celebrating of Mark Ashton; Frances Hodgki
Exhibition Review / 24 October 2023
24 October 2023
PAUL FOLEY examines how the Whitworth is attempting to engage with sexual minorites
(Left) Tennessee Williams’ Glass Menagerie at the Royal Ex
Culture / 2 December 2022
2 December 2022
MASTERCLASS IN ACTING: (L to R) Eloka Ivo as Jim, Rhiannon C
Theatre Review / 8 September 2022
8 September 2022
PAUL FOLEY recommends what he considers the best staging he has ever ween of the Tennessee Williams classic
EXTRAORDINARY: Ntombizodwa Ndlovu as Camae and Adetomiwa Edu
Theatre review / 2 October 2021
2 October 2021
PAUL FOLEY recommends a play, by Pulitzer-winner Katori Hall, which imagines Martin Luther King’s last night before his assassination
THEATRE ONLINE / 17 June 2020
17 June 2020
BOISTEROUS: Rakhee Sharma (Cathy) and Alex Austin (Heathclif
Theatre / 13 February 2020
13 February 2020
Adaptation of Bronte classic fails to scale the heights
Theatre / 20 January 2020
20 January 2020
Play highlights importance of talking therapy in tackling mental health issues
OUTSTANDING: David Judge in Sparkplug
Year round-up / 10 December 2019
10 December 2019
SUPERLATIVE: Ria Jones as Rose
Theatre / 8 December 2019
8 December 2019
Everything comes up roses in stunning production of Sondheim classic
In meltdown: David Moorst as Steven in Light Falls
Theatre Review / 30 October 2019
30 October 2019
Missed opportunity to shed light on complex northern realities
Centre stage: Lucy Ellinson as Macbeth
Theatre Review / 19 September 2019
19 September 2019
Misguided mangling of Shakespeare's darkest tragedy
Theatre Review / 30 July 2019
30 July 2019
Sympathetic curmudgeon Tony Jayawardena (right) as Hari Hobs
Theatre Review / 6 June 2019
6 June 2019
PAUL FOLEY sees an excellent new version of a classic Harold Brighouse comedy
Fizzing with energy: Jocasta Almgill (left)
Musical Review / 14 April 2019
14 April 2019
PAUL FOLEY sees a new version of a legendary musical which lacks the exhilarating power of the original
Book Review / 25 February 2019
25 February 2019
Conflicted: Ashley Zhangazha (Biff) and Don Warrington (Will
Theatre Review / 19 October 2018
19 October 2018
Theatre Review / 18 July 2018
18 July 2018
PAUL FOLEY sees an inspiring play by Maxine Peake on the women who battled against the destruction of mining communities in 1984-85 and after
Corrido de la Sangre
Operetta Review / 29 April 2018
29 April 2018
The Big Corner
Theatre Review / 24 April 2018
24 April 2018
Wonderful: Harry Attwell as The Creature
Theatre Review / 14 March 2018
14 March 2018
Out of the ordinary: Amelia Bullmore (marty) and Anthony Ofo
Theatre Review / 8 March 2018
8 March 2018
Almighty conflict: Julie Hesmondhalgh and Norah Lopez Holden
Theatre Review / 16 February 2018
16 February 2018
A stunning new play on a young woman battling her inner demons raises some acute questions, says PAUL FOLEY
Equal: Michael Peavoy as Mr Rochester and Jessica Baglow as
Theatre review / 29 January 2018
29 January 2018
PAUL FOLEY sees a life-affirming adaptation of the classic novel Jane Eyre
2017 Round-up / 19 December 2017
19 December 2017
Musical review / 8 December 2017
8 December 2017
PAUL FOLEY recommends a heartwarming production of Guys and Dolls in Manchester
Theatre review / 21 November 2017
21 November 2017
PAUL FOLEY sees a great version of a seasonal Dickens favourite in Bolton
Theatre review / 9 November 2017
9 November 2017
There's little to celebrate in this Jubilee, says PAUL FOLEY
THEATRE REVIEW / 22 October 2017
22 October 2017
The playwright’s interrogation of why people are driven to acts of terrorism is a pressing one for those in power, says PAUL FOLEY