MARY CONWAY is gripped by the powerful emotional journeys portrayed by the parents of the perpetrator and victims of a mass shooting
Circle Mirror Transformation
HOME, Manchester
ONCE a week for six weeks, five lonely people turn up at the local community hall in a small town in Vermont for drama classes and, over time, the workshops become more therapeutic as each of the characters begins to reveal their past, grapple with their present and work towards a new beginning to their lives.
I can hear the groans rising on a tide of despair at that synopsis, but they would be misplaced. This is a beautifully crafted play that appears to have slipped effortlessly from the pen of the great US playwright Annie Baker.
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club
MARIA DUARTE recommends the ambitious portrait of an agricultural community confronted by the trauma of enclosure



