Reviews of Charlotte Cornfield, Michael Weston King, and Gun Outfit
WITH productions of Henry V, Romeo and Juliet, Julius Caesar and, more recently, Maxine Peake’s acclaimed performance as Hamlet, the Royal Exchange has earned itself an excellent reputation for staging exciting, enthralling and innovative interpretations of Shakespeare’s work.
The omens for this production of Macbeth were good. Having two women play Duncan and Macbeth offered the opportunity to move women centre stage as warrior queens rather than scheming wives or batty witches.
But, as in the play itself, omens are more often portents of disaster.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
PAUL FOLEY welcomes a dramatic account of the men and women involved in the pivotal moment of the 5th Pan African Congress
GORDON PARSONS joins a standing ovation for a brilliant production that fuses Shakespeare’s tragedy with Radiohead's music



