Skip to main content
Advertise Buy the paper Contact us Shop Subscribe Support us
Sao Paulo’s finest
PAUL FOLEY is blown away by a Brazilian band at the top of their game

BIXIGA 70
The Blues Kitchen, Manchester

https://www.youtube.com/watch?v=HALXabke9hc

BIXIGA is a vibrant multicultural suburb of Sao Paulo. Unlike Rio or Salvador, Sao Paulo is a melting pot of Afro-Caribbean and immigrant communities. This diverse population is very much reflected in its music. 

For over a decade the exhilarating sounds of Bixiga 70 have been bringing the music of their neighbourhood to the world. Touring as a nine-piece combo incorporating horns, percussion, keys and guitar, they defy classification with a very distinct sound which is very much their own. 

They certainly recognise the importance of their musical heritage and there are hints of Tom Ze, Os Mutantes and a nod to revolutionary sound of the ’60s Brazilian tropicalismo but their vibe is very much from the back streets of Sao Paulo. 

Showcasing their new album Vapor, the band have taken their music to another level. Eschewing the usual Brazilian music tropes, the collective move seamlessly between furious horn-driven rock fusion on songs like Na Quarta-Feira to a more ethereal sound on Loa Lua where Pedro Regada’s whirly keys are reminiscent of Keith Emerson in his heyday. 

On the band’s first single from the new album, Malungu, the wonderful Simone Sou controls the whole thing with her impeccable percussion. She leads the brass section in a wonderful cacophony of sound. A mention also for Valentina Facury whose fabulous percussive rhythms extoll their West African origins. 

Bixiga 70 are very much a loud, brassy band with Daniel Verano on trumpet and Pedro Moreira on trombone beautifully duelling for prominence while Daniel Nogueira, tenor Saxophone and Cuca Ferreira on baritone sax give strong back-up. Cristiano Scabello’s electric guitar and Marcelo Dworecki’s bass hold the whole thing together.

I would love to see the band on a huge festival stage where, unleashed by the constraints of a small concert hall, they could give full vent to their explosive sound. But on a dark, drizzly night in Manchester, Bixiga 70 is just the right antidote to blow away the worries of the world and allow their audience to wallow in the sheer enjoyment and excitement of a band at the top of their game. 

The new album Vapor is released by Glitterbeat 

Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
Theatre review / 29 November 2024
29 November 2024
PAUL FOLEY applauds a faultless musical that tells the tragic real-life story of working-class winners of the football pools
Exhibition Review / 24 October 2023
24 October 2023
PAUL FOLEY examines how the Whitworth is attempting to engage with sexual minorites
Culture / 2 December 2022
2 December 2022
Theatre Review / 8 September 2022
8 September 2022
PAUL FOLEY recommends what he considers the best staging he has ever ween of the Tennessee Williams classic
Similar stories
Music / 30 October 2024
30 October 2024
New releases from Miguel Zenon, Angelica Sanchez/Chad Taylor, Paul Dunmall
Global Routes / 25 October 2024
25 October 2024
Brazilian groove, Black Africa and Malian mixtures
Album reviews / 14 October 2024
14 October 2024
New releases from Etienne Charles, Jason Anick/Jason Yeager and Elliott Sharp/Sally Gates/Tashi Dorji
Jazz album reviews / 11 June 2024
11 June 2024
New releases from Ingi Bjarni, Simon Spillett Big Band and Charlotte Keeffe's Right Here, Right Now Quartet