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Positive discrimination
PAUL FOLEY examines how the Whitworth is attempting to engage with sexual minorites
(L to R) A banner celebrating of Mark Ashton; Frances Hodgkins, The Convalescent, 1912 [Whitworth Art Gallery]

(Un)Defining Queer
Whitworth Art Gallery, Manchester

 

DOES an individual’s gender, sexuality, race, colour or disability define the way they look at or appreciate art?

Have art galleries and museums adapted to be more inclusive and engaging with all communities within society? If not why not? And if so, what does this adaption look like?

These are some of the discussions around re-imagining art and how it is presented in galleries and museums.

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liberation
Theatre review / 4 July 2025
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PAUL FOLEY welcomes a dramatic account of the men and women involved in the pivotal moment of the 5th Pan African Congress

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Exhibition review / 21 March 2025
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
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Exhibition review / 20 February 2025
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ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
A panel from the Palestinian History Tapestry
Exhibition Review / 1 October 2024
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MARJORIE MAYO recommends an exhibition that asserts Palestinian history, culture and creativity in the face of strategies to erase them
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Exhibition Review / 23 August 2024
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JAN WOOLF applauds art that has not only documented the anti-war and anti-capitalist movement but been an integral part of it