SIMON PARSONS applauds an original, visual and movement-based take on the birth and death of a relationship
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The eloquence of everyday objects
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Daniel Lind-Ramos, Ensamblajes, Nottingham Contemporary
[Jade Vowles]
JOHN GREEN’s palette is tickled by useful information leavened by amusing and unusual anecdotes, incidental gossip and scare stories
The bard contemplates X — anti-human vomit soup with dog shit croutons — and the Tory recycling bin that is Reform
ALAN MORRISON recommends an outstanding and timely anthology of poems that reflect the experience and consequences of African migration
BINOY KAMPMARK examines the food racket as evidenced by the recent promotion of Italian cuisine to the status of ‘intangible national heritage’
FIONA O’CONNOR and MARIA DUARTE review State of Statelessness, Rental Family, 28 Years Later: The Bone Temple, and The Rip
Allan Weber, My Order
★★★★★, Nottingham Contemporary
Daniel Lind-Ramos, Ensamblajes
★★★★★, Nottingham Contemporary
DONALD TRUMP’s philistinism is apparent in his fondness for self-aggrandising kitsch, but the Kennedy Center putsch — in which Trump unilaterally installed himself as chair of Washington DC’s temple of the fine arts — suggests an understanding that culture can shape the national psyche.
Perhaps we should expect further co-option of performing arts institutions in support of the MAGA cause. Will the list of Trump-approved artists be limited to Confederate flag flaunter Kid Rock, swastika T-shirt pusher Kanye West and deportation cheerleader Ted Nugent?
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