With reservations, RON JACOBS recommends a deep dive into the nature, history, and mindset of US intelligence
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The eloquence of everyday objects
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Daniel Lind-Ramos, Ensamblajes, Nottingham Contemporary
[Jade Vowles] 
JOHN HAWKINS wrestles with the anti-humanist fantasies of techno-feudalist thinking
MICHAL BONCZA and MARIA DUARTE review 2000 Meters to Andriivka, Savages, The Legend of Ochi, and The Naked Gun
GORDON PARSONS advises you to get up to speed on obscure ancient ceremonies to grasp this interpretation of a late Shakespearean tragi-comedy
DENNIS BROE enjoys the political edge of a series that unmasks British imperialism, resonates with the present and has been buried by Disney
STEVE JOHNSON speaks to DJ and singer/songwriter Mark Radcliffe
Allan Weber, My Order
★★★★★, Nottingham Contemporary
Daniel Lind-Ramos, Ensamblajes
★★★★★, Nottingham Contemporary
DONALD TRUMP’s philistinism is apparent in his fondness for self-aggrandising kitsch, but the Kennedy Center putsch — in which Trump unilaterally installed himself as chair of Washington DC’s temple of the fine arts — suggests an understanding that culture can shape the national psyche.
Perhaps we should expect further co-option of performing arts institutions in support of the MAGA cause. Will the list of Trump-approved artists be limited to Confederate flag flaunter Kid Rock, swastika T-shirt pusher Kanye West and deportation cheerleader Ted Nugent?
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