SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
Dr Who and the scourge of capitalism
JOHN GREEN surveys the remarkable career of screenwriter Malcolm Hulke and the essential part played by his membership of the Communist Party
MASTERMIND; (L) Jon Pertwee as Dr Who in Invasion of the Dinosaurs, 1974; (R) Malcolm Hulke on holiday in Pula, Yugoslavia
[Courtesy of the BBC; Courtesy of Jean Tate]
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Things are not always what they seem: The Writing and Politics of Malcolm Hulke
Michael Herbert, Self-published, £21.99
MALCOLM HULKE was an active communist and a highly successful scriptwriter for theatre, television and cinema from the late 1950s into the mid 1970s whose work includes The Avengers, Danger Man and Dr Who.
As he noted in 1975: “During all The Avengers time when the most popular baddies were Soviet spies, my baddies were capitalists. No-one noticed. For seven years running I wrote subversive Doctor Who serials.”
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