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Lowry of the lens
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
mitch main

Peter Mitchell: Nothing Lasts Forever
The Photographers’ Gallery, London

PETER MITCHELL (born 1943) is widely regarded as one of the most important early colour photographers of the 1970s and ’80s. This important exhibition is dedicated to his work.
 
He is a self-effacing artist, coming across in interviews as rather Lowry-like: naive, unideological and uncomplicated. Taking photos, or as he says “taking pictures” is simply a necessity for him.

 

[[{"fid":"75862","view_mode":"inlineleft","fields":{"format":"inlineleft","field_file_image_alt_text[und][0][value]":"The Kitson House telephone, Quarry Hill Flats, 1978. Credit: Peter Mitchell","field_file_image_title_text[und][0][value]":false},"link_text":null,"type":"media","field_deltas":{"1":{"format":"inlineleft","field_file_image_alt_text[und][0][value]":"The Kitson House telephone, Quarry Hill Flats, 1978. Credit: Peter Mitchell","field_file_image_title_text[und][0][value]":false}},"attributes":{"alt":"The Kitson House telephone, Quarry Hill Flats, 1978. Credit: Peter Mitchell","class":"media-element file-inlineleft","data-delta":"1"}}]]Born in Eccles, near Manchester, in 1943, shortly afterwards his family moved to Catford, south-east London, where Mitchell spent his formative years. Even as a youngster, he was a keen collector and diarist, beginning the archive that would later form part of his autobiographical publication, Some Thing Means Everything to Somebody.

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