RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
Latest editorial
Arts round-up 2022 with PAUL FOLEY
glass
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
YEAR 2022, perhaps the year of consolidation, maybe the year of hope, quite probably the year of recovery.
Holding its collective breath, the arts and cultural sector is beginning to regain confidence to stimulate, entertain, excite and enrich lives across the world.
In north-west England, 2022 saw the re-emergence of festivals, art shows, dance and theatre productions which helped lift spirits.
Events such as the Manchester Jazz Festival returned with a loud, joyous and exciting band of excellent musicians getting audiences jumping and singing across the city.
This year saw some terrific theatre. Arti Banerjee’s magnificent re-working of Tennessee Williams’ Glass Menagerie for the Royal Exchange Manchester is the stand-out production of the year.
More from this author
PAUL FOLEY applauds a faultless musical that tells the tragic real-life story of working-class winners of the football pools
PAUL FOLEY is blown away by a Brazilian band at the top of their game
PAUL FOLEY examines how the Whitworth is attempting to engage with sexual minorites
PAUL FOLEY recommends what he considers the best staging he has ever ween of the Tennessee Williams classic
