The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Arts round-up 2022 with PAUL FOLEY
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
YEAR 2022, perhaps the year of consolidation, maybe the year of hope, quite probably the year of recovery.
Holding its collective breath, the arts and cultural sector is beginning to regain confidence to stimulate, entertain, excite and enrich lives across the world.
In north-west England, 2022 saw the re-emergence of festivals, art shows, dance and theatre productions which helped lift spirits.
Events such as the Manchester Jazz Festival returned with a loud, joyous and exciting band of excellent musicians getting audiences jumping and singing across the city.
This year saw some terrific theatre. Arti Banerjee’s magnificent re-working of Tennessee Williams’ Glass Menagerie for the Royal Exchange Manchester is the stand-out production of the year.
More from this author
PAUL FOLEY applauds a faultless musical that tells the tragic real-life story of working-class winners of the football pools
PAUL FOLEY is blown away by a Brazilian band at the top of their game
PAUL FOLEY examines how the Whitworth is attempting to engage with sexual minorites
PAUL FOLEY recommends what he considers the best staging he has ever ween of the Tennessee Williams classic
Similar stories
Reading the Uncut and Mojo magazines’ albums of the year lists over the last couple of weeks, I’ve realised anew they consistently ignore many exceptional, lesser known artists
A manifesto for change, feminism in the digital age and a wordless play by Palestinians
GORDON PARSONS applauds a history of the US Federal Theatre Project, that brought political theatre to millions in the US
New releases from: Pharoah Sanders, Bill Ryder-Jones and Violent Femmes