STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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McFarlane salutes Vaughan
MARK TURNER is thrilled by the the British singer’s tribute to the late great Sarah Vaughan
STRONG SOCIAL CONSCIENCE: Zara McFarlane
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
Zara Macfarlane
Sweet Whispers
(Eternal Source Of Light)
GIL SCOTT HERON once poked fun at po-faced purists with his release But Is That Jazz? Heron was one of that generation who changed popular understanding of jazz just as had Davis and Coltrane, Gillespie and Parker before them. In the late ’60s and ’70s Jazz bled into other forms of popular music and while arguably it’s more broadly appreciated today, in a variety of forms, there are still those who mournfully proclaim “jazz is dead.”
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It was the workers' own healthcare model in his home town of Tredegar that inspired the socialist's greatest work — the NHS — and it is in his home town that once a year we celebrate him and his ideals, writes MARK TURNER
