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Discombobulated Americana
MARK TURNER gets over his discomfort that US cultural imperialism means we know more about US subcultures than our own

The Felice Brothers
The Globe, Cardiff

The Globe in Cardiff is that rare thing, a small live music venue, which has thrived in a suburb of Wales’capital for more than 20 years. A renowned and treasured old “flea pit” cinema for generations, The Globe has built a niche reputation and devotion from locals through its mix of quality tribute acts and the kind of music which has a devoted following without being commercial enough for arena or stadium audiences. The kind of venue where bands like The Felice Brothers, an established group for nearly two decades and hailing from The Catskills in New York state, thrill their fans.

It’s ironic that for post-war generations around the world, one of the side effects of US cultural imperialism is that we know a lot about American culture and sub cultures, sometimes more than our own. The Felice Brothers play a blend of country, folk and rock which is often called “Americana,” and their influences are plain to see and hear. Johnny Cash, Dylan, Pete Seeger and Guthrie are all there, with a splash of Cajun joie de vivre. 

But the lyrics are more Tom Waits, dark and surreal, and they share the central feature of American literature, a “picaresque” view of US society, seen from the bottom up. There’s a line in one of their songs, which sums them up: ”The song was weird, yet still they cheered.”

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