JON BALDWIN recommends a provocative assertion of how working-class culture can rethink knowledge
Above a Gothic bar just down from Brighton station, something spooky is happening, suggests JAMES WALSH

A NEW festival celebrating and showcasing folk culture, Once&Future is celebrating the uptick in interest in folk — especially the darker side of things. There are talks on the “haunted generation”, those who had their brains addled by sinister 1970s television, excellent, politically astute bands like The Witchcraft and Vagrancy Act, songs about death, and yet more songs about death.
“This tends to happen in times of political unease. When the world is crazy you look for something to hang on to. If you can’t make sense of the world politically then you look for other things to tether yourself to,” reckons Once&Future co-founder Hattie Snooks, who is performing songs inspired by tales of her native Hampshire on Saturday under her alter-ego of Queen Mab.
“Maybe if we can reconnect with the land, maybe if we can reconnect with each other, maybe if we can reconnect with our customs, then maybe we’ll gain some control over it, and learn that we don’t need control over everything and there is stuff beyond the capitalist agenda.”



