The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Theatre review: Rockets and blue lights
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
Rockets and Blue Lights
BBC R3
Winsome Pinnock’s “Alfred Fagon Award” winning play Rockets and Blue Lights had just started its run at the Royal Exchange Manchester when the hammer of pandemic hit the world’s pause button.
The jolt sent shockwaves across the planet bringing creativity to a juddering halt. Yet the creative mind can overcome catastrophe and it wasn’t long before new and innovative ways were devised to provide a despairing public with stimulation, fun and excitement.
Actor Bertie Carvel managed to convince the BBC to stage The Lockdown Theatre Festival. Four great plays, including Pinnock’s, which were abruptly cut short by the coronavirus crisis, were to be reimagined for radio.
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