Skip to main content
Donate to the 95 years appeal
Stripped right back production mesmerises
PAUL FOLEY recommends what he considers the best staging he has ever ween of the Tennessee Williams classic
MASTERCLASS IN ACTING: (L to R) Eloka Ivo as Jim, Rhiannon Clements as Laura and Geraldine Somerville as Amanda

The Glass Menagerie
Royal Exchange Theatre Manchester


IF ONLY Tennessee Williams could have seen this magnificent production of The Glass Menagerie he would have died a happy man.  

In 2019 Atri Banerjee was a trainee director and staged a fine Hobson’s Choice at the Royal Exchange. With this production he has grown into a mature, confident director with immense skill and a great vision.
 
Williams’s play premiered in 1944 but is set in the ’30s. Poverty, tension and desperation permeate the Wingfield family. The play is narrated by the son Tom, a young man full of pent-up frustration.

Angry at his role as the family breadwinner, angry at an overbearing mother, angry at his thwarted ambition to be a writer. Overlying this anger is his love for and guilt about his sister Laura who is a disturbed and fragile young woman.
 
In some director’s hands The Glass Menagerie can become overbearing and complex but Banerjee has the foresight to strip it right back, leaving Williams’s beautiful poetic language to his excellent cast.

All four actors deliver a masterclass in acting. Joshua James is exceptional in the role of Tom. A performance full of pathos that is, at times, truly heartbreaking.

In 1989 Geraldine Somerville played Laura at the Exchange. Thirty three years later she is back playing her Mother Amanda, the one time Southern Belle who is desperately trying to regain some past glory. Hers is an astonishing performance, full of brash Southern entitlement yet cloaked with sickening fear for the future in a rapidly changing world.
 
Laura is played by Rhiannon Clements who gives us a wonderfully nuanced young woman at odds with a world she neither understands nor fits into. Eloka Ivo is excellent as Jim, the “gentleman caller.” Although only appearing towards the end of the play, his role is pivotal in giving Laura a glimpse of a possible future.
 
This reviewer has seen many productions of The Glass Menagerie over the years, some of which were very good, but this production towers above anything seen before. The themes in Williams’s play have as much resonance today as when it was written back in 1944 but ultimately a play’s success turns on the author’s words and language.

This exceptional production has not only paid homage to a great writer but has, despite the subject matter, shown us that The Glass Menagerie is an extremely beautiful play.

Runs to October 8 2023. Box office: 0161 833 9833, royalexchange.co.uk

 

 

 

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
Rose Galbraith and the ensemble of Spend Spend Spend
Theatre review / 29 November 2024
29 November 2024
PAUL FOLEY applauds a faultless musical that tells the tragic real-life story of working-class winners of the football pools
Concert review / 30 October 2023
30 October 2023
PAUL FOLEY is blown away by a Brazilian band at the top of their game
(L to R) A banner celebrating of Mark Ashton; Frances Hodgki
Exhibition Review / 24 October 2023
24 October 2023
PAUL FOLEY examines how the Whitworth is attempting to engage with sexual minorites
(Left) Tennessee Williams’ Glass Menagerie at the Royal Ex
Culture / 2 December 2022
2 December 2022
Similar stories
THE HOSTESS FROM HELL: Kym Marsh as Beverly with Graeme Hawl
Culture / 11 April 2025
11 April 2025
PAUL FOLEY is disappointed by a production that encourages the audience to laugh at rather than with the characters
A STAKE IN THE FUTURE: Annette Badland and Danielle Henry in
Theatre review / 19 February 2025
19 February 2025
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
Rose Galbraith and the ensemble of Spend Spend Spend
Theatre review / 29 November 2024
29 November 2024
PAUL FOLEY applauds a faultless musical that tells the tragic real-life story of working-class winners of the football pools
RULING CLASS WARRIOR: Abigail Cruttenden as Lady Bracknell a
Theatre review / 20 June 2024
20 June 2024
PAUL FOLEY relishes a superb production that plays Wilde’s farce as a contemporary dissection of the rich and ridiculous ruling class