SUE TURNER is fascinated by a book that researches who the largely immigrant workforce were that built the Empire State
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Weathering a perfect storm of images
Hito Steyerl's book is a worthy but flawed attempt to mediate the negative visual overload of contemporary culture, says NICK WRIGHT
MARIA DUARTE and MALC McGOOKIN review Sirat, The Testament of Ann Lee, EPiC: Elvis Presley in Concert, and All You Need Is Kill
STEVE ANDREW recommends a Marxist analysis of the long chains of production that global corporations exploit
MARY CONWAY relishes the period detail but misses the drama in this unsatisfactory dramatisation of the subjugated life of George Eliot
IAN SINCLAIR welcomes a mainstream scholar to the ranks of left-wing critique of US foreign policy
PETER MASON is disappointed that the eponymous Count fails to put in an appearance
MARJORIE MAYO is disappointed by the lack of class analysis in an all-too-plausible account of progressive causes
Duty Free Art: Art in the Age of Planetary Civil War
Hito Steyerl
(Verso £9.99)
IT’S not always the case that art professionals — artists themselves, critics and connoisseurs, historians and theorists — ground their thought and language in the distinctions, connections and contradictions revealed in a materialist scrutiny of the images that they create, consider or curate.
While the idea that the products of cultural work can be studied and understood independently of the circumstances in which they are produced persists, the very speed and complexity of the contemporary and highly mediated world allows little time for the quiet contemplation of classical beauty.
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