MATTHEW HAWKINS witnesses a contemporary ballet that represents human life as subjected to artificial intelligence
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Weathering a perfect storm of images
Hito Steyerl's book is a worthy but flawed attempt to mediate the negative visual overload of contemporary culture, says NICK WRIGHT
by Marwa Paikan
A misfit couple unhappily ever after, a dead man walking, dodgy journos, and trench art trucking
New releases from Javon Jackson, IZE Trio, and Mal Waldron Trio
PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
EWAN CAMERON marvels at the impossible ambition, realised with dreamlike finesse of translating Italo Calvino to the stage
TONY BURKE speaks to JOEL McIVER, co-author of the biography of bluesman John Mayall
Duty Free Art: Art in the Age of Planetary Civil War
Hito Steyerl
(Verso £9.99)
IT’S not always the case that art professionals — artists themselves, critics and connoisseurs, historians and theorists — ground their thought and language in the distinctions, connections and contradictions revealed in a materialist scrutiny of the images that they create, consider or curate.
While the idea that the products of cultural work can be studied and understood independently of the circumstances in which they are produced persists, the very speed and complexity of the contemporary and highly mediated world allows little time for the quiet contemplation of classical beauty.
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