MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
THE GRUNWICK strike of 1976-78, a seminal moment in labour history, began with the righteous courage of one small woman who stood up to the Establishment and fought for justice.
It’s the story that Townsend Theatre Productions tells in the online version of their stage play We Are the Lions, Mr Manager!
Its main protagonist Jayaben Desai, Indian by birth, flees hostile conditions in East Africa to England where she takes a menial job at the Grunwick film processing plant in north-west London, only to find that conditions in the factory are draconian.
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class


