The Bard stands with the Reformers of Peterloo, and their shared genius in teaching history with music and song
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Ringgold the liberator
Faith Ringgold is one of the most important US artists ever. CHRISTINE LINDEY explains why
SUE TURNER is fascinated by a book that researches who the largely immigrant workforce were that built the Empire State
MARIA DUARTE and MALC McGOOKIN review Sirat, The Testament of Ann Lee, EPiC: Elvis Presley in Concert, and All You Need Is Kill
STEVE ANDREW recommends a Marxist analysis of the long chains of production that global corporations exploit
MARY CONWAY relishes the period detail but misses the drama in this unsatisfactory dramatisation of the subjugated life of George Eliot
IAN SINCLAIR welcomes a mainstream scholar to the ranks of left-wing critique of US foreign policy
PETER MASON is disappointed that the eponymous Count fails to put in an appearance
Faith Ringgold
Serpentine Gallery, London
★★★★★
A VETERAN of the 1960s civil rights, feminist and Black Power movements, Faith Ringgold is a rare artist; she has much to say, all of it important and she expresses it in visually striking ways.
She was born in 1930 in Harlem where her fashion designer/maker mother and lorry driver father prioritised a college education and encouraged her love of art. Although her thorough but traditional art education never mentioned black artists, she’d grown up immersed in the culturally vibrant Harlem Renaissance.
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