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Christine Lindey
AIA
Exhibition Review / 7 November 2024
7 November 2024
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s
exp web 1
Exhibition review / 28 June 2024
28 June 2024
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany
entangled 1
Exhibition review / 7 March 2024
7 March 2024
CHRISTINE LINDEY salutes an outstanding exhibition imbued with a sense of national guilt
kitaj 1
Exhibition Review / 22 November 2023
22 November 2023
CHRISTINE LINDEY surveys the cosmopolitan, enigmatic compositions of an idiosyncratic artist whose work speaks of mystery and exile
main
Culture / 7 December 2022
7 December 2022
G+G
My favourite painting / 13 October 2022
13 October 2022
CHRISTINE LINDEY explains her affinity with a depiction of a chair only peasants and poor artisans would have owned
I+P
Exhibition / 13 September 2022
13 September 2022
CHRISTINE LINDEY recommends a National Gallery’s inventive pairing of two canvasses, one by an inspired traditionalist and the other by a restless innovator
Exhibition / 22 April 2022
22 April 2022
CHRISTINE LINDEY recommends a feast for the senses with a social message at Tate Britain – and running till October
Hals
Exhibition / 25 November 2021
25 November 2021
CHRISTINE LINDEY recommends an exhibition by a 17th-century Dutch master portraitist
kings cross
Exhibition / 15 October 2021
15 October 2021
CHRISTINE LINDEY recommends the work of Leon Kossoff who chose to depict life near his various homes or studios, in east and north London’s pre-gentrified, working-class districts of Spitafields, Kings Cross, Hackney’s Dalston Junction, Killburn and Willesden
pas de deux
Dance / 4 October 2021
4 October 2021
The Korean troupe effectively challenge the notion that dancers are physically expert but mere interpreters of other people’s thoughts, writes CHRISTINE LINDEY
M,
EXHIBITION REVIEW / 30 May 2021
30 May 2021
CHRISTINE LINDEY sees a retrospective of Eileen Agar's work which reflects her lifelong quest for a non-conformist art