Skip to main content
Christine Lindey
James Boswell, Two studies of a man with a chain through his
Exhibition Review / 7 November 2024
7 November 2024
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s
Gabriele Münter, Portrait of Marianne von Werefkin, 1909; L
Exhibition review / 28 June 2024
28 June 2024
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany
(L-R) Joshua Reynolds’ Portrait of George, Prince of Wales
Exhibition review / 7 March 2024
7 March 2024
CHRISTINE LINDEY salutes an outstanding exhibition imbued with a sense of national guilt
(L) Synchromy with F.B. - General of hot desire (1968-69); (
Exhibition Review / 22 November 2023
22 November 2023
CHRISTINE LINDEY surveys the cosmopolitan, enigmatic compositions of an idiosyncratic artist whose work speaks of mystery and exile
(L to R) Kathe Kollwitz, Woman with Dead Child, 1903; Vincen
Culture / 7 December 2022
7 December 2022
Vincent Van Gogh’s The Chair (left) and Gauguin’s Chair,
My favourite painting / 13 October 2022
13 October 2022
CHRISTINE LINDEY explains her affinity with a depiction of a chair only peasants and poor artisans would have owned
(L to R) Madame Moitessier, Jean-Auguste-Dominique Ingres, 1
Exhibition / 13 September 2022
13 September 2022
CHRISTINE LINDEY recommends a National Gallery’s inventive pairing of two canvasses, one by an inspired traditionalist and the other by a restless innovator
Exhibition / 22 April 2022
22 April 2022
CHRISTINE LINDEY recommends a feast for the senses with a social message at Tate Britain – and running till October
UNINHIBITED BRUSHWORK: The Laughing Cavalier, 1624 and Portr
Exhibition / 25 November 2021
25 November 2021
CHRISTINE LINDEY recommends an exhibition by a 17th-century Dutch master portraitist
(L to R) King’s Cross, March Afternoon 1998; Christ Church
Exhibition / 15 October 2021
15 October 2021
CHRISTINE LINDEY recommends the work of Leon Kossoff who chose to depict life near his various homes or studios, in east and north London’s pre-gentrified, working-class districts of Spitafields, Kings Cross, Hackney’s Dalston Junction, Killburn and Willesden
PAS DE DEUX: Hyuk Kwon, Jaeyoung Lee in Equilibrium
Dance / 4 October 2021
4 October 2021
The Korean troupe effectively challenge the notion that dancers are physically expert but mere interpreters of other people’s thoughts, writes CHRISTINE LINDEY
NOTABLE: (Left) Alice with Lewis Carroll, 1961 and (right) E
EXHIBITION REVIEW / 30 May 2021
30 May 2021
CHRISTINE LINDEY sees a retrospective of Eileen Agar's work which reflects her lifelong quest for a non-conformist art