MARY CONWAY is gripped by the powerful emotional journeys portrayed by the parents of the perpetrator and victims of a mass shooting
Eileen Agar: Angel of Anarchy
Whitechapel Gallery, London
“LIFE’S meaning is lost without the spirit of play. In play, the mind is prepared to accept the unimagined and incredible, to enter a world where different laws apply, to be free, unfettered and divine.”
That was what Eileen Agar (1899-1991) believed and this fierce desire for freedom motivated her art. Her last wish was “to die in a sparkling moment.” A handsome woman, with a sense of entitlement, she succeeded in “sparkling” socially but unfortunately much of her work lacks the very sense of lightness and amusement which she rated so highly.
Born in Buenos Aires in 1899 to a Scottish industrialist and an American heiress to a biscuit manufacturer, Agar led a privileged life. After attending English boarding schools, she was “finished” in France before studying at London’s prestigious Slade School of Art.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright



