The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Rebel seeking a cause
CHRISTINE LINDEY sees a retrospective of Eileen Agar's work which reflects her lifelong quest for a non-conformist art
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Eileen Agar: Angel of Anarchy
Whitechapel Gallery, London
“LIFE’S meaning is lost without the spirit of play. In play, the mind is prepared to accept the unimagined and incredible, to enter a world where different laws apply, to be free, unfettered and divine.”
That was what Eileen Agar (1899-1991) believed and this fierce desire for freedom motivated her art. Her last wish was “to die in a sparkling moment.” A handsome woman, with a sense of entitlement, she succeeded in “sparkling” socially but unfortunately much of her work lacks the very sense of lightness and amusement which she rated so highly.
Born in Buenos Aires in 1899 to a Scottish industrialist and an American heiress to a biscuit manufacturer, Agar led a privileged life. After attending English boarding schools, she was “finished” in France before studying at London’s prestigious Slade School of Art.
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