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Getting those excitations
JAN WOOLF marvels at the dream-like forms of little-known English surrealist Henry Orlik, whose work reaches back to the traumas of war and migration
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Henry Orlik, Cosmos of Dreams
Maas Gallery, London

 

LIKE me, you have probably not heard of the painter Henry Orlik. That’s because painting, not fame was his game. Eschewing the conceits of the art world, dealers took most of the money, leaving little for the artist. 

A recluse for 50 years and now aged 77, Orlik has agreed to his first major retrospective, Cosmos of Dreams, at the Maas Gallery London, and later in his hometown of Marlborough.  

The work is engrossing. 

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