The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Getting those excitations
JAN WOOLF marvels at the dream-like forms of little-known English surrealist Henry Orlik, whose work reaches back to the traumas of war and migration
Henry Orlik, Cosmos of Dreams
Maas Gallery, London
LIKE me, you have probably not heard of the painter Henry Orlik. That’s because painting, not fame was his game. Eschewing the conceits of the art world, dealers took most of the money, leaving little for the artist.
A recluse for 50 years and now aged 77, Orlik has agreed to his first major retrospective, Cosmos of Dreams, at the Maas Gallery London, and later in his hometown of Marlborough.
The work is engrossing.
More from this author
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
ANGUS REID time-travels back to times when Gay Liberation was radical and allied seamlessly to an anti-racist, anti-establishment movement
ANGUS REID speaks to historian Siphokazi Magadla about the women who fought apartheid and their impact on South African society
Similar stories
The playwright and artist reflects on the ways in which reviewing can nourish the creative act
JAN WOOLF revels in a painter of the poetic, whose freshness emulates that of the very young
CHRISTINE LINDEY identifies the socialist impulse and sympathy with working people that underlies the artistic mission and inspired work of Vincent Van Gogh
DANIEL TESTER and ORLA McHALE survey the astonishing achievement of Donald Rodney, whose themes of racial injustice and institutional inequality are as relevant today as when he made them