The bard gives us advance notice of his upcoming medieval K-pop releases
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Here comes the Sun King
JAN WOOLF revels in a painter of the poetic, whose freshness emulates that of the very young
(L) Ken Kiff, The Poet (Mayakovsky), 1977; (R) Open book and empty cup, 1999
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
Ken Kiff – A Hundred Suns
Three Highgate, London
WALK up the hill from Archway Tube, north London — or down from Highgate — and find the gallery Three Highgate, and the current incredible show of the late British painter Ken Kiff (1935-2001).
Born in Dagenham, east London, Kiff later studied at Hornsey School of Art, just a mile down the road. He was always his own man — linking the inner world with the outer. Don’t all artists do that? Not like this. Note “the” and not “his,” as there is something universal about his work. His “constellation of mental activity” speaks to all.
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