ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Here comes the Sun King
JAN WOOLF revels in a painter of the poetic, whose freshness emulates that of the very young
(L) Ken Kiff, The Poet (Mayakovsky), 1977; (R) Open book and empty cup, 1999
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
Ken Kiff – A Hundred Suns
Three Highgate, London
WALK up the hill from Archway Tube, north London — or down from Highgate — and find the gallery Three Highgate, and the current incredible show of the late British painter Ken Kiff (1935-2001).
Born in Dagenham, east London, Kiff later studied at Hornsey School of Art, just a mile down the road. He was always his own man — linking the inner world with the outer. Don’t all artists do that? Not like this. Note “the” and not “his,” as there is something universal about his work. His “constellation of mental activity” speaks to all.
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