MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists
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War and peace in space, time-shifts anywhere and anywhen on Earth
ANDY HEDGECOCK relishes a graphic portrayal of the corrosive impact of commodification, but can’t sympathise with the characters
New releases from Van Morrison, Tyler Ballgame, and Dry Cleaning
RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
A WAR between socialist and capitalist factions of the human diaspora has finally been ended with an act of genocidal savagery, in Gareth L Powell's Embers of War (Titan, £7.99), the opening volume of a three-part space opera.
Disgusted by her role in the crime, sentient warship Trouble Dog defects to a non-sectarian, apolitical organisation that is dedicated to rescuing the crews of spaceships in distress.
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Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
JOHN GREEN surveys the remarkable career of screenwriter Malcolm Hulke and the essential part played by his membership of the Communist Party
Read Sisters, the journal of the National Assembly Of Women, below.
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces