STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Time catches up with 1970s classic
PAUL FOLEY is disappointed by a production that encourages the audience to laugh at rather than with the characters
THE HOSTESS FROM HELL: Kym Marsh as Beverly with Graeme Hawley as Laurence
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
Abigail’s Party
Royal Exchange Manchester
MIKE LEIGH’S Abigail’s Party was a huge hit with both critics and audiences when it premiered at the Hampstead Theatre 1977. Its success led to a televised version being screened in the prestigious Play for Today series on BBC.
Leigh has created a tragi-comedy around Beverley and Laurence, an upwardly mobile couple with aspirations for sophistication.
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