MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
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Revelatory depiction of life in Buenos Aires slum is a tragi-comic triumph
A South American shanty town
[Leon Petrosyan/Creative Commons]
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Slum Virgin
by Gabriela Cabezon Camara
(Charco Press, £9.99)
IN THE El Poso slum of Buenos Aires things are starting to change for the better. Its inhabitants organise in special committees, they create a system of canals filled with large and glistening carp to eat, they grow their own vegetables and they are learning to be self-sufficient.
El Poso (“The Sediment”) is turning into a tiny utopia and all of this is apparently thanks to a strange cement Virgin Mary statuette — the Slum Virgin — that sends divine messages to the people through a “medium,” the transvestite prostitute Cleo, who renounces life on the game to try to save his shanty-town community from impending destruction.
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